Dracula by Bram Stoker, narrated by B.J. Harrison

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Dracula is a Transylvanian monarch planning on purchasing a ruined castle in England. Before he knows it, Jonathan is trapped inside Dracula’s castle as a prisoner. Taken from a collection of journal entries, letters, telegrams, and newspaper clippings, Dracula is the grand sire of all vampire tales. Discover the nefarious means Dracula uses to enter England and wreak his hellish havoc. Who can stop the lord of the undead? Only the Dutch scientist Van Helsing can persuade the disbelieving to believe the reality that there are creatures of the night beyond our ken – things that suck the blood of the living, transform into mist, and flee to the safety of their coffins before the rising of the sun.

 

I first tried to read this back in 2013 when I got a free copy of the book at NYCC.
They gave them out after the panel for the NBC drama Dracula staring Jonathan Rhys Meyers.

Back then I got about 64 pages in before I gave up (right after Lucy’s letter about her three proposals.) I was bored and annoyed that the story was told through letters and diary entries. I wanted the point of view from Dracula himself. (What are his true origins? Is he the first ever vampire? How old is he?)

Then I got into audiobooks and I really enjoy B.J. Harrison’s narrations. (I listened to his narration of The Count of Monte Cristo.) When I saw he narrated Dracula I thought I would try again.

I enjoyed it so much more this time and followed along with the copy I kept from NYCC 2013. (Some sentences were missing from the audiobook! Different editions, perhaps?)

Ok, so some spoilers below. Are they still spoilers when the book has been out for over 100 years?
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Frankenstein: or, The Modern Prometheus by Mary Wolstonecraft Shelley, Narrated by B. J. Harrison

Frankenstein: or, The Modern Prometheus, by Mary Wolstonecraft Shelley, Narrated by B. J. Harrison; 8 hours 19 minutes.

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It is the 200th anniversary of Frankenstein! It also October and I decided to read some ghoulish stories.

I first read Frankenstein almost 20 years ago when I was in high school.

So back then I was a bit bored by the writing. I still was at times because Shelly would go on a bit with some descriptions, and listening to Harrison’s soothing voice would allow me to doze off.

I do think this time around though that I appreciated the prose more and found some passages quite poetic. I do love that Mary Shelly was a woman ahead of her time to write such a deep, philosophical, science fiction story.

I am so used to the adaptations of Frankenstein that I forgot that in the original story it is never outright said how he makes the Creature. It’s not the digging up bodies and using lightening method we’re used to. It’s implied that Frankenstein made the body from scratch. Also, and maybe I fell asleep during that part, he is also never called Doctor Victor Frankenstein. Did he get his P.H.D.?

The reason that this story still stands today is because the philosophy and themes in the story are timeless. We’re a blank slate and what shapes us is nature and nurture together. Also, take responsibility for your actions. I am looking at you, Victor.

4 out of 5 Lightening Bolts

I just want to give a shout out to my two favorite adaptations:
– Mel Brook’s Young Frankenstein, which is still hysterically funny.
– Danny Boyle’s Frankenstein, where Benedict Cumberbatch and Jonny Lee Miller alternated their roles each night as Frankenstein and the Creature.

The Count of Monte Cristo by Alexandre Dumas, Narrated by B.J. Harrison

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Revenge at all cost!

A young sailor returns home from a dangerous voyage. His father and his sweetheart are waiting for him. But an act of jealous treachery changes his life forever!

An unexpected meeting changes everything and the man who was once an unknown sailor emerges as The Count of Monte Cristo, mysterious, rich, and powerful enough to take the ultimate revenge against his enemies.

I love, love, love this classic novel. Definitely one of my all time favorites. The complexity of it is just brilliant. It’s not just a revenge story (though the revenge is juicy and deserved!) but also a story of hope and forgiveness.

I began listening in the fall of 2017, but I didn’t like the narrator’s voice and couldn’t get past the first chapter. Then I found B.J. Harrison. He narrates a few of Poe’s short stories I love and his voice work is amazing. When I saw he narrated TCoMC I started listening to his rendition.

For two days in December I listened to 14 chapters. Then I took a break to do a re-listen of the Red Rising books before Iron Goldcame out. Fast forward to mid-February I went back to TCoMC and spent the next couple of months only listening to it. The audiobook is 52 hours long (117 chapters). To clear things up in the beginning (February- March) I wasn’t listening everyday. I was doing like only 5 hours a week. The past few weeks of April I have been listening 1.5 – 2 hours daily.

The length of the novel can be intimidating but it is so engaging, and the prose is so poetic. I book marked a lot of sections. I’ll have to share a few of my favorite quotes.

There are so many details between the events and the characters’ connections. There is just so much planning involved that
A) I would have loved to see the outlines that Dumas made and B) I don’t know how anyone can read an abridged version. So many little details from early in the story come back later. You may think something is insignificant, but it’s not. Every subplot has a purpose.

I kept a list of the characters nearby and would refer to it in the beginning to keep them straight, but as time went on I didn’t need it.

I love the evolution of Edmund’s character from innocent and naive to worldly, educated and cunning. I don’t know how Edmund juggled all those identities and stories. (My friend who listened to it right before I did called Edmund the first Batman. I’ll say! She also listens all day long and finished in about a week or so. Damn!)

I loved the way Harrison changed his voice for Edmund. When he was young and naive it was a bit higher and faster. When he became the Count it was deeper and more articulate.

Harrison is a wonderful narrator. His pacing is just right and he does a great range of voices so you know which character is speaking. I love the way he pronounced the name Mercédès. Actually, if it weren’t for the audiobook and hearing all these French names and words pronounced correctly I would be saying them in my head the incorrect American way.

I also loved the way Harrison said “Yes” for Monsieur Noirtier de Villefort (he is paralysed and only able to communicate with his eyes, but retains his mental faculties). His “Yes” is very long and deep.

I could go more into all the characters and their fates but that would turn into a whole essay. (So maybe another post someday.) I’m really glad that I persisted because now I am proud to say I read The Count of Monte Cristo.

5 out of 5 Millions in Diamonds.

FAVOTRIE quotes:

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