Revenge at all cost!
A young sailor returns home from a dangerous voyage. His father and his sweetheart are waiting for him. But an act of jealous treachery changes his life forever!
An unexpected meeting changes everything and the man who was once an unknown sailor emerges as The Count of Monte Cristo, mysterious, rich, and powerful enough to take the ultimate revenge against his enemies.
I love, love, love this classic novel. Definitely one of my all time favorites. The complexity of it is just brilliant. It’s not just a revenge story (though the revenge is juicy and deserved!) but also a story of hope and forgiveness.
I began listening in the fall of 2017, but I didn’t like the narrator’s voice and couldn’t get past the first chapter. Then I found B.J. Harrison. He narrates a few of Poe’s short stories I love and his voice work is amazing. When I saw he narrated TCoMC I started listening to his rendition.
For two days in December I listened to 14 chapters. Then I took a break to do a re-listen of the Red Rising books before Iron Goldcame out. Fast forward to mid-February I went back to TCoMC and spent the next couple of months only listening to it. The audiobook is 52 hours long (117 chapters). To clear things up in the beginning (February- March) I wasn’t listening everyday. I was doing like only 5 hours a week. The past few weeks of April I have been listening 1.5 – 2 hours daily.
The length of the novel can be intimidating but it is so engaging, and the prose is so poetic. I book marked a lot of sections. I’ll have to share a few of my favorite quotes.
There are so many details between the events and the characters’ connections. There is just so much planning involved that
A) I would have loved to see the outlines that Dumas made and B) I don’t know how anyone can read an abridged version. So many little details from early in the story come back later. You may think something is insignificant, but it’s not. Every subplot has a purpose.
I kept a list of the characters nearby and would refer to it in the beginning to keep them straight, but as time went on I didn’t need it.
I love the evolution of Edmund’s character from innocent and naive to worldly, educated and cunning. I don’t know how Edmund juggled all those identities and stories. (My friend who listened to it right before I did called Edmund the first Batman. I’ll say! She also listens all day long and finished in about a week or so. Damn!)
I loved the way Harrison changed his voice for Edmund. When he was young and naive it was a bit higher and faster. When he became the Count it was deeper and more articulate.
Harrison is a wonderful narrator. His pacing is just right and he does a great range of voices so you know which character is speaking. I love the way he pronounced the name Mercédès. Actually, if it weren’t for the audiobook and hearing all these French names and words pronounced correctly I would be saying them in my head the incorrect American way.
I also loved the way Harrison said “Yes” for Monsieur Noirtier de Villefort (he is paralysed and only able to communicate with his eyes, but retains his mental faculties). His “Yes” is very long and deep.
I could go more into all the characters and their fates but that would turn into a whole essay. (So maybe another post someday.) I’m really glad that I persisted because now I am proud to say I read The Count of Monte Cristo.
5 out of 5 Millions in Diamonds.
“I am he whom you sold and dishonored — I am he whose betrothed you prostituted — I am he upon whom you trampled that you might raise yourself to fortune — I am he whose father you condemned to die of hunger — I am he whom you also condemned to starvation, and who yet forgives you, because he hopes to be forgiven – I am Edmund Dantes!”
“The friends we have lost don’t repose in the bosom of the earth but in our hearts.”
“What a fool I was,” said he, “not to tear my heart out on the day when I resolved to avenge myself!”
All human wisdom is contained in these two words, ‘Wait and Hope.”